9 dic. 2011

Conoce a los participantes de la 54 Entrega del Ariel 2012 Academia Mexicana de Artes y Ciencias Cinematográficas A.C. #Cine

Para mayor información click aquí y en la imagen:

Largometrajes

Ficción

1. ACORAZADO *, ÁLVARO CURIEL

2. AMAR NO ES QUERER *, GUILLERMO BARBA

3. ÁNGEL CAÍDO SEPHYRO, EL CANTO SEGUNDO *, ARTURO ANAYA

4. ASALTO AL CINE *, IRIA GÓMEZ CONCHEIRO

5. A TIRO DE PIEDRA *, SEBASTIÁN HIRIART

6. A TRAVÉS DEL SILENCIO, MARCEL SISNIEGA

7. BACALAR, PATRICIA ARRIAGA JORDÁN

8. BALA MORDIDA *, DIEGO MUÑOZ

9. BORRAR DE LA MEMORIA, ALFREDO GURROLA

10. DÍAS DE GRACIA *, EVERARDO V. GOUT GRAUTOFF

11. EL BAILE DE SAN JUAN, FRANCISCO ATHIÉ

12. EL EFECTO TEQUILA *, LEÓN SERMENT

13. EL MURAL, HÉCTOR OLIVERA

14. ELLA Y EL CANDIDATO, ROBERTO GIRAULT FACHA

15. FECHA DE CADUCIDAD *, KENYA MÁRQUEZ ALKADEF CORTES

16. LABIOS ROJOS, RAFAEL LUNA

17. LA OTRA FAMILIA, GUSTAVO LOZA

18. LOS INADAPTADOS, JORGE RAMÍREZ-SUÁREZ, JAVIER COLINAS, MARCO POLO CONSTANDSE, SERGIO TOVAR VELARDE

19. LLUVIA DE LUNA, MARYSE SISTACH

20. MARCELINO PAN Y VINO, JOSÉ LUIS GUTIÉRREZ ARIAS

21. MARTHA *, MARCELINO ISLAS HERNÁNDEZ

22. MISS BALA, GERARDO NARANJO

23. PASTORELA, EMILIO PORTES

24. PERRAS *, GUILLERMO RIOS

25. SALVANDO AL SOLDADO PÉREZ, ALBERTO GÓMEZ

26. TE EXTRAÑO, FABIAN HOFMAN

27. TODOS HEMOS PECADO *, ALEJANDRO RAMÍREZ

28. VERANO DE GOLIAT, NICOLÁS PEREDA

29. VETE MÁS LEJOS, ALICIA *, ELISA MILLER

30. VICTORIO *, ALEX NOPPEL BRISEÑO

31. VIENTO EN CONTRA, WALTER DOEHNER.

Contactos

Documental

1.0.56% *, LORENZO HAGERMAN

2. ALUCARDOS, RETRATO DE UN VAMPIRO *, ULISES GUZMÁN

3. AGNUS DEI, CORDERO DE DIOS, ALEJANDRA SÁNCHEZ

4. AQUÍ SOBRE LA TIERRA *, MAURICIO BIDAULT

5. EL CIELO ABIERTO, EVERARDO GONZÁLEZ

6. EL LUGAR MÁS PEQUEÑO *, TATIANA HUEZO SÁNCHEZ

7. EL VELADOR, NATALIA ALMADA

8. FLORES EN EL DESIERTO *, JOSÉ ÁLVAREZ

9. JOSÉ CRUZ A 10 METROS DEL INFIERNO *, LEOBARDO JACOB LECHUGA

10. LA MALETA MEXICANA , PATRICIA ZIFF MEYER

11. LECCIONES PARA ZAFIRAH, CAROLINA RIVAS Y DAOUD SARHANDI

12. MÉXICO BÁRBARO 2010 *, LUIS RINCÓN

13. MORIR DE PIE *, JACARANDA CORREA

14. PRESUNTO CULPABLE, ROBERTO HÉRNANDEZ Y GEOFFREY SMITH

15. PRÍNCIPE AZTECA, A. FERNÁNDEZ

Contactos

Animación

1.LA REVOLUCIÓN DE JUAN ESCOPETA *, JORGE A. ESTRADA

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Calendario

Cortometrajes

Ficción

1. ANIMAL, LEÓN RECHY

2. ACTO PRIMERO, ESCENA CUARTA, ELIAS BROSSOISE

3. ANGUSTIA, LEÓN RECHY

4. AMANECER, ERICK ULISES GARCÍA CORONA

5. AUTOPRESERVACIÓN, ALEJANDRO MÁRQUEZ VELA

6. AZUL, HUGO ARIZMENDI

7.BORREGUITO, ANTONINO ISORDIA

8. CENIZAS, ERNESTO MARTÍNEZ BUCIO

9. CON LOS OJOS CERRADOS, LUIS MARIANO GARCÍA VILLANUEVA

10. DESPEDIDA, FABIÁN IBARRA

11. DESPERTAR, CRISTINA KOTZ CORNEJO

12. EL PESCADOR, SAMANTHA PINEDA

13. EL TREN SOBRE LOS DURMIENTES, SELINA RODRÍGUEZ Y ALEXANDRA MÁRQUEZ

14. ENTRE PAREDES DE AGUA, ROSAMARTA FERNÁNDEZ

15. GEOGRAFÍAS, ABRAHAM RAMOS

16. JUAN Y LA BORREGA, J. XAVIER VELASCO

17. LA TUNA, HUGO ORTIZ

18. LOS DERRIBADOS, DAMIÁN CANO

19. MARI PEPA, SAMUEL ISAMU KISHI LEOPO

20. MUERTE, CUÍDAME...PORQUE SIN MÍ, TÚ TE MUERES, COIZTA GRECKO

21. NAJITA, SUSANA BERNAL URIBE

22. PASADO Y PRESENTE, JESÚS ALBERTO HERNÁNDEZ

23. qUÉ IMPORTA CORAZÓN, EHÉCATL GARCÍA

24. SIN FRENOS, FRANCISCO ORTEGA

25. SITIOS PRESTADOS AL AIRE, MAIDER OLEAGA

26. UN DÍA MÁS, VÍCTOR JESÚS AVELAR MARTÍNEZ

27. UN RÍO, ALEX MUÑOZ BARBA

28. UNA CAMA PARA VALENTINA, INTI ALDASORO

29. VENDAVAL, JESÚS TORRES TORRES

30. VENECIA, SINALOA, BETZABÉ GARCÍA GALINDO

Documental

1. 1910-2010 MÉXICO SOBRE RIELES, FELIPE VÁZQUEZ MAQUEDA

2. 9 INFIERNOS, ABRIL SCHMUCLER IÑIGUEZ

3. CALLE DE REINAS, EMILIANO MAZZA DE LUCA

4. COSECHANDO AGUA, XIMENA URRUTIA

5. DÍAS DISTINTOS, DAVID CASTAÑON MEDINA

6. EXTRAÑO RUMOR DE LA TIERRA CUANDO SE ABRE UN SURCO, JUAN MANUEL SEPÚLVEDA

7. FLORERIA Y EDECANES, JAIZIEL HERNÁNDEZ MÁYNEZ

8. LA BLANQUITA, JAIME ROGEL

9. PIA MATER, PABLO DELGADO SÁNCHEZ

10. PERSONARE, ANA GUTIÉRREZ Y DIEGO MARTÍNEZ

11. RÉQUIEM PARA LA ETERNIDAD, ALBERTO RESENDIZ GÓMEZ

12. TIEMPO DETENIDO, MARUSIA ESTRADA ZEPEDA

13. Y RETIEMBLE EN SUS CENTROS LA TIERRA, PATRICIA MARTÍNEZ

14. YUBAN, YA´ASIB VÁZQUEZ COLMENARES

Animación

1. A SECAS, ANDREAS "LA MANDRÁGORA" PAPACOSTAS

2. EL AGUA DE LA TIERRA, PEDRO NARVAEZ

3.ESKIMAL, HOMERO RAMÍREZ TENA

4. MAXTLITLÁN, ALBERTO SANTOS Y RODRIGO SALOM

5. MUTATIO, LEÓN FERNÁNDEZ

6. MONARCA, VÍCTOR RENÉ RAMÍREZ MADRIGAL

7. PRITA NOIRE, SOFÍA CARRILLO

Convocatoria

Formatos de Inscripción

Academia Mexicana de Artes y Ciencias Cinematográficas A.C.

Av. División del Norte 2462, 3er piso, Col. Portales, Deleg. Benito Juárez, México D.F. | Tel. 5688 7079 | C.P. 03300

Posted via email from Video Film & TV World

EXTENSIÓN CONVOCATORIA: CONTRA EL SILENCIO TODAS LAS VOCES

Estimados amigos

El Comité Organizador del VII Encuentro Hispanoamericano de Cine y Video Documental Independiente: Contra el Silencio Todas las Voces, ha decidido ampliar hasta el 16 de diciembre de este año el plazo para inscribir documentales y enviar ponencias al Coloquio Internacional Ciencias Sociales y Documental.

Agradecemos su apoyo en la difusión de este aviso.

Atentamente

Comité Organizador

INFORMES: festival@contraelsilencio.org y contacto@contraelsilencio.org

COLOQUIO:


Comité Organizador

Convocatoria VII Encuentro.pdf Download this file

Convocatoria Coloquio SOC.pdf Download this file

Posted via email from Video Film & TV World

8 dic. 2011

Respuesta de los Estudios Churubusco Azteca a la Academia Mexicana de Artes y Ciencias Cinematográficas

version en linea de este mensaje, click aqui.

México, D.F., 8 de diciembre de 2011

 

A la comunidad cinematográfica

A los medios de comunicación

Al público en general

  

Hacemos pública la respuesta del Director de los Estudios Churubusco Azteca a la información requerida por la Academia Mexicana de Artes y Ciencias Cinematográficas, respecto a el proyecto "la Ciudad del Cine".

 

Exhortamos a la comunidad cinematográfica a conocer y opinar sobre que se debe o no hacer con el patrimonio del cine nacional.

Academia Mexicana de Artes y Ciencias Cinematográficas
Av. División del Norte 2462, 3er piso, Col. Portales, Deleg. Benito Juárez, México D.F. | Tel. 5688 7079 | C.P. 03300


Posted via email from Signal Group

4 dic. 2011

Festival Internacional de Cortometrajes VAGÓN 2011 Ciudad Juárez

Colectivo_movimiento_-_arte_y_

Festival Internacional de Cortometrajes VAGÓN 2011 Ciudad Juárez

El FIC Vagón nace de la idea de poseer un espacio donde realizadores (locales, nacionales e internacionales) de cine en corto, pudieran exhibir sus creaciones y además tener la oportunidad de relacionarse con muchos interesados en la industria cinematográfica en Ciudad Juárez, México.


España ha sido el país invitado en esta segunda edición, además de Carlos Carrera, presidente de la Academia Mexicana de Artes y Ciencias Cinematográficas, y Colectivo Movimiento Programa Independiente de Producción y Difusión Cultural con Sede en Cuernavaca, Morelos.


El festival tuvo cinco actividades principales: la Muestra Oficial de Cortometrajes; la presentación especial en el Museo de la Revolución en la Frontera (Muref) de cortometrajes que no habían sido exhibidos; el Rally CC72; la impartición de seis talleres cinematográficos, y Cine a la Comunidad, con la finalidad de llevar propuestas cinematográficas a colonias de alta marginación, actividad en lo cual participo el Colectivo Movimiento, de Cuernavaca Morelos.


En Cine a la Comunidad se presentaron:


"En La Arena: La Fraternidad de Damián el Salvaje"

"La Última y Nos Vamos" del director César García.

Viernes 02 de Diciembre. 10:00 hrs.

CECYTECH Plantel 9 col. Lomas de Poleo, Ciudad Juárez.


"Trampa Vagabundo" Dir. César García.

Sábado 03 de Diciembre. 10:00 hrs.

Biblioteca comunitaria Ma´Juana. Ciudad Juárez.


En la Muestra Oficial se exhibieron 5 cortometrajes producidos por Colectivo Movimiento:

Tambor. Dir. César García. Morelos, México.

Despiértame cuando llegue el tren. Dir. Liliana Huacuja. Morelos, México.

Olvidarte Nunca. Dir. Edgar Bahena. Morelos, México.

La Piedad. Dir. César García. Morelos, México.

El Silencio y la Ausencia. Dir. Cristóbal Sánchez. Morelos, México.

Viernes 02 de Diciembre 17:00 hrs.

Sala ICSA (Instituto de Ciencias Sociales y Administración). Ciudad Juárez.

 

 


Por este medio agradecemos a Roberto Sáenz, Coordinador general del Festival Vagón y a Alejandro Garza, la invitación a participar en esta edición 2011. Deseamos que esta plataforma sea de gran utilidad para los cineastas y el público interesado en encontrar nuevas perspectivas a través de la cinematografía y la cultura. ¡Mucho éxito!


Para mayores informes vista la página oficial de FIC Vagón:

www.ficvagon.jimdo.com

 


Para conocer más acerca de los proyectos de Colectivo Movimiento visita:

_______________________________________

www.colectivomovimiento.com

www.facebook.com/ColectivoMovimiento

www.youtube.com/user/colectivomovimiento

 

 

 

Posted via email from Video Film & TV World

La nueva cámara profesional P2 de Panasonic Panasonic AG-HPX250 ha sido aprobada por la BBC para creación de contenidos AVC-INTRA 10Bit 4:2:2

Panasonic lanza el nuevo camcorder AG-HPX250  aprobado por la BBC para captura de imagen de programas completos
$5,995 Dólares

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Panasonic presentó la nueva cámara de mano AG-HPX250.

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Este camcorder pertenece a la gama P2-HD e incorpora de serie el codec AVC-Intra.

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Las principales características de este nuevo camcorder son:

Tres sensores MOS de 1/3″ con resolución 1920×1080 (2.2Mpix).
Camcorder de mano P2HD de ámbito broadcast, con 2 ranuras de tarjeta P2.
Lente gran angular (28mm) con zoom óptico 21x (equivalente 28mm a 588mm).
Tecnología ULT: alta sensibilidad y bajo nivel de ruido.
Rueda de filtros de densidad Neutral ND (1/4, 1/16, 1/64).
Formatos de grabación: AVC-Intra 100/50, DVCPROHD, DVCPRO50, DVCPRO y DV.
Modo de grabación de único clip y función de Pregrabación.
Monitor LCD de alta resolución, con visualización de Monitor Forma de Onda y Vectorscopio.
3 anillos de control manual: iris, zoom y foco.
Cine-gamma, DRS y Velocidad de cuadro variable.
Salidas HD-SDI y HDMI.
Entrada de Genlock y entrada y salida de TC.
Dos entradas de audio XLR con alimentación phantom +48V.
Interfaces IEEE1394 y USB2.0 (Host/Device).
Camcorder Mundial Conmutable 50/59.94Hz.
Servicio Premium 5 años de garantía, 5 días de reparación.
El nuevo camcorder AG-HPX250 estará disponible en otoño de 2011.

10-bit, 4:2:2, full-resolution, independent-frame, AVC-Intra 100
1/3" 2.2M 3MOS imager
22X wide HD fixed lens
Mechanical zoom, 3 rings (Zoom/Focus/Iris)
HD/SD formats, frame rates, Variable Frame Rates (720p/1080p)
Professional input/outputs, including Genlock, timecode, HDSDI, HDMI
Easy Operation with 4 user buttons
Digital Zoom (2X/5X/10X)
Flash Band Compensation (FBC)
Dynamic Range Stretch (DRS)
Built-in SMPTE time-code generator/reader
4-position ND optical filter controls
Auto focus with face detection, white balance, mode display, zebra display, color bar, tally lamps, slow shutter and synchro-scan shutter functions
Widescreen LCOS color viewfinder
Widescreen LCD color flip-out monitor
Two P2 card slots
Weighs approx. 5.5 lbs
Multiple 1/4" 20 and 3/8" screw holes (top/bottom) for connection to industry mounting equipment
Power consumption of only 15 watts
Five-year limited warranty program (1 year + 4 additional years with registration)

INCLUDED ACCESSORIES

* Battery
* Battery charger with AC Cable
* Camera Adapter with AC Cable
* Wireless remote
* Camera Strap

Con un precio en USA de $5,995 dólares

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Specs
Power Supply: 7.9V (using AC adaptor)
Power Consumption: 15W (when LCD Monitor ON)
Operating Temperature: 0°C to 40°C
Operating Humidity: 10% to 80% (no condensation)
Weight: Approx. 2.5 kg (camcorder only)
Dimensions (WxHxD): 180 mm × 195 mm × 438 mm, excluding the projection part
Pick-up Device: 1/3 Type Progressive, 2.2Mil Pixels, 3MOS
Number of Effective Pixels (HxV): 1920 x 1080
Lens: Panasonic lens with optical image stabilizer, motorized/manual mode switching, 22x zoom,
F1.6 - 3.2 (f=3.9mm to 86mm / 35mm equivalent: 28 mm to 616 mm, 16:9)
Filter Diameter: 72 mm
Optical Color Separation: Prism system
ND Filter: OFF, 1/4, 1/16, 1/64
Minimum shooting distance: Approx. 1 meter
Gain Selection: 0/+3/+6/+9/+12/+15/+18/+24/+30dB (+24 & +30 dB are to be allocated only for USER SW)
Shutter Speed (Preset): 24p mode: 1/24 sec.(OFF), 1/60 sec., 1/100 sec., 1/120 sec., 1/250 sec., 1/500 sec., 1/1000 sec., 1/2000 sec.
Slow Shutter Speed: 24p mode: 1/6 sec. and 1/12 sec.
Shutter Speed (Synchro Scan): 24p mode: 1/24.0 sec. to 1/249.8 sec.
Aperture Angle: 3 degree to 359.5 degree, by 0.5 degree step selectable
Frame Rate: 720p: 1 / 2 / 4 / 6 / 9 / 12 / 15 / 18 / 20 / 21 / 22 / 24 / 25 / 26 / 27 / 28 / 30 / 32 / 34 / 36 / 40 / 44 / 48 / 54 / 60 fps - 25 steps
Sensitivity: F10 (2000lx, 3200K, 89.9% reflection, 1080/59.94i, P.A.P. FILTER: TYPE1)
Minimum Luminance: 0.2 lx (when F1.6, +30dB of gain, and 1/30 sec. of shutter speed, P.A.P. FILTER: TYPE1)
Digital Zoom: 2x / 5x / 10x
Recording Media: P2 Card
Recording Format: AVC-Intra 100 / AVC-Intra 50 / DVCPRO HD / DVCPRO50 / DVCPRO / DV
Recording Time: *Time shown above is when you record a series of 1 shot to P2 card. Depending on numbers of shots you record, time will get shorter than the number shown above.
Recording Video Format: 720/59.94p, 720/29.97p, 720/29.97pN, 720/23.98p, 720/23.98pN, 480/59.94i, 480/29.97p, 480/23.98p, 480/23.98pA
Sampling Frequency: Y: 13.5 MHz, PB/PR: 3.375 MHz
Quantizing: DVCPRO HD/DVCPRO50/DVCPRO/DV: 8 bits
Video Compression: DV: DV compression (IEC 61834-2)
Recording Audio Signal: DVCPRO/DV: 48kHz/16bits, 2CH/4CH switchable
GENLOCK IN: BNC x 1, 1.0Vp-p, 75 Ω
GENLOCK IN Additional Information: BB or HD-Y
VIDEO OUT: Pin jack x 1, 1.0Vp-p, 75 Ω
SDI OUT: BNC x 1 (10 bits 4:2:2 camera through), 0.8Vp-p, 75 Ω, HD/SD switchable
HDMI OUT: HDMI x 1, Type A
Built-in Microphone: Stereo microphone
Audio IN: MIC: -40 / -50 / -60 dBu (selectable in menu)
Audio IN Additional information: Headroom 12dB
Audio Out: Pin jack x 2 (CH 1, CH 2), Output: 316 mV, 600 Ω
Headphone: Stereo mini jack (3.5 mm diameter) × 1
Built-in Speaker: 20 mm (round) × 1
Camera Remote: Mini jack (3.5mm diameter) x 1 for FOCUS and IRIS controls
TC IN/OUT: OUT: 2.0±0.5 Vp-p, low impedance
IEEE 1394 IN/OUT: 6 Pin, Digital IN/OUT, based on IEEE 1394 Standard
USB2.0 (DEVICE): Type mini B connector (compliant with USB ver. 2.0)
USB2.0 (HOST): Type A connector (compliant with USB ver. 2.0)
LCD Monitor: 3.45 inches, LCD color monitor, approx. 921,000 pixels (16:9)
Viewfinder: 0.45 inches, LCD color viewfinder, approx. 1,226,000 pixels (16:9)
Standard Accessories: Microphone Holder Screws x4, Microphone Holder Adaptor, Lens Cap, INPUT Terminal Cap x2
All brand and company/product names are trademarks or registered trademarks of the respective companies. All specifications are subject to change without notice. Information on Panasonic Solutions Company’s full line of products can be obtained by calling 877-803-8492 or at http://www.panasonic.com/broadcast.

Links de Panasonic

Del escritorio del
© Ing. José María Noriega Fernández
CEO Productor Ejecutivo y Director

Signal Group
http://www.signal.com.mx
VideoWorld Studio
http://www.video.com.mx


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PANASONIC-AGHPX250.pdf Download this file

sp-hpx250pe-brochure.pdf Download this file

7 nov. 2011

Realización de un cortometraje. Taller impartido por Gabriel Retes. Inicia 9 de noviembre 2011

El Sindicato de Directores Cinematográficos de México se complace en invitar a estudiantes,profesionales del medio y al público en general, a inscribirse en el curso Del cine de autor al cine personal, impartido por los directores de cine en activo Gabriel Retes y Lourdes Elizarrarás. El curso se llevará a cabo en las instalaciones de la Sección de Directores durante la segunda y tercera semana de noviembre de 2011. Inicia el miércoles 09 y finaliza el martes 15 de noviembre de 2011. El horario es de 16:00 a 21:00 horas. Curso intensivo, 5 sesiones de 5 horas diarias para un total de 25 horas. Cupo limitado. La fecha límite para la entrega de requisitos e inscripción es el miércoles 11 de noviembre a las 15:00 horas. Costo total $4,500.00 . Al término del taller se hará entrega de un certificado con valor curricular a cada uno de los participantes. Verifica el descuento para ex alumnos, temario completo e información general en la página web: www.cinedirectores.com o sigue los vínculos para mayores informes.

http://www.cinedirectores.com/secciones/directores/sindicato/subsecciones/talleres/cine-de-autor-al-cine-personal.html

http://blip.tv/cinemaspod/del-cine-de-autor-al-cine-personal-5344495

3 nov. 2011

6 Temas Clave de la producción cinematográfica - 6° Seminario de Experiencia para productores

6° Seminario de Experiencia para productores

Es un evento anual, abierto para todos aquellos interesados en la producción cinematográfica, donde se transmite la experiencia de cineastas en activo, sobre temas fundamentales del hacer cine, con un enfoque cien por ciento práctico. Cuenta con el reconocimiento del Centro Universitario de Estudios Cinematográficos de la UNAM (CUEC-UNAM).

En esta edición 2011 trataremos:

“6 Temas Clave 6”

Seis temas que revisten vital importancia al hacer una película, pero que frecuentemente son soslayados.

·       El productor: Ayer, hoy y mañana.

·       El financiamiento público y privado: Qué, cómo, dónde y cuándo.

·       Lo legal: Propiedad intelectual, derechos de autor y asuntos jurídicos de la producción.

·       Negociar la distribución: Por qué, cómo y con quién.

·       Acuerdos: De exhibición, de video y de televisión.

·       Publicidad y promoción.

Con disertaciones de:

Ángeles Castro - Angélica Ramírez Arriola - Carlos Sánchez Sosa - Daniel Birman Ripstein - Eduardo De la Parra - Erika Ávila - Fernando De Fuentes III - Fernando Rovzar - Gabriel Larrea Richerand - Hugo Villa - Ismael Rodríguez Vega - Javier Alvarado - Jorge Aguirre - Jorge Aragón - José Juan Hernández - José Luis Caballero - José Luis Urdapilleta - Juan Manuel Borbolla - Mónica Lozano - Ramón Obón - Roberto Fiesco - Roberto Girault - Roberto Quintero - y BruNo (de la película “Ana”).

Dirigido por José Antonio Elo.

Cineteca Nacional, Ciudad de México. 23, 24 y 25 de noviembre. 09:00 a 15:00 horas. Constancia de participación expedida por el CUEC y Cinérgica.

Cuota de recuperación: Cineastas $1,200 / Estudiantes $600.

Inscripciones en línea: www.cinergica.org

Se adjunta cartel en PDF.

Con el patrocinio de CTT EXP & RENTALS

José Antonio Elo

Cinérgica

"relativo a la sinergia para el cine"

estudio: (55) 5019-5000

celular: 55-3001-2277

lucubrador@cinergica.org

www.cinergica.org

Cartel.pdf Download this file

Posted via email from Signal Group

Canon Launches New Digital Cinema Camera For High-Resolution Motion Picture Production EOS C300/C300 PL #EOS #Cinema #CineDigital

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A Star Is Born: Canon Launches New Digital Cinema Camera For High-Resolution Motion Picture Production

Examples

Mobius by Vincent Laforet

Sword by Felix Alcara

XXIT By Sam Nicholson  A.S.C.

Max is Back by Richard Crudo A.S.C.

Pricing and availability

The Canon EOS C300 (EF mount) digital cinema camera will be available in late January 2012 for an estimated list price of $20,000. US

The Canon EOS C300 PL (PL mount) digital cinema camera will be available in late March 2012 for an estimated list price of $20,000.

www.usa.canon.com/cinemaeos

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Canon USA Announces Cinema EOS C300 and EOS C300 PL Cameras

Specifications

8.3mp 2160×3840 Super-35 CMOS sensor (4K resolution)

DIGIC DVIII Processor

Canon XF Codec

Dual Compact Flash Slots

Exposure and focus are both manual only

Uses existing BP-955 and BP-975 batteries

Sold as a system, including LCD monitor / XLR audio unit, side grip, and top handle.

Availability: Jan. 2012; Price: appx. $16,000 USD

HOLLYWOOD, California, November 3, 2011/TOKYO, November 4, 2011 – Canon Inc. and Canon U.S.A., Inc. today raised the curtain on an all-new interchangeable-lens digital cinema camera that combines exceptional imaging performance with outstanding mobility and expandability to meet the demanding production needs of today's motion picture industry. The camera, which features a newly developed Super 35 mm-equivalent approximately 8.29-megapixel CMOS sensor, will be available in two models: the EOS C300 Digital Cinema Camera*, equipped with an EF lens mount for compatibility with Canon's current diverse lineup of interchangeable EF lenses for EOS single-lens reflex (SLR) cameras and new EF Cinema Lens lineup; and the EOS C300 PL Digital Cinema Camera*, with a PL lens mount for use with industry-standard PL lenses.

New Lenses (PL & EF Versions)

Canon Zoom Lens CN-E14.5-60mm T2.6 L S

Canon Zoom Lens CN-E14.5-60mm T2.6 L SP

Canon Zoom Lens CN-E30-300mm T2.95-3.7 L S

Canon Zoom Lens CN-E30-300mm T2.95-3.7 L SP

Three New Primes for EF Mount Only

Canon Prime Lens CTZ-029 (24mm)

Canon Prime Lens CTZ-030 (50mm)

Canon Prime Lens CTZ-031 (85mm)

Mobius by Vincent Laforet

<p>Mobius :: Behind The Scenes from Blake Whitman on Vimeo.</p>

Anouncement Video By Jared Abrams

Sword by Felix Alcara

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The introduction of the EOS C300/C300 PL coincides with the launch of the Cinema EOS System, marking Canon's full-fledged entry into the digital high-resolution production industry. The new professional digital cinematography system spans the lens, digital cinema camera and digital SLR camera product categories.

Star-Studded Supporting Cast
Equipped with an EF lens mount, the EOS C300 is supported by an all-star cast of high-performance EF lenses, not only the wide array of interchangeable EF lenses for EOS SLR cameras that have earned the trust and respect of photographers around the world, but also the EF cinema lenses in the newly announced Cinema EOS System. When outfitted with a Canon EF lens, the C300's peripheral illumination correction automatically corrects for vignetting in accordance with each lens's optical characteristics, and enables iris control from the camera. Canon EF lenses also enable the recording of such metadata as the name of the lens used, aperture setting and shutter speed.i

Show-Stopping High-Resolution Full-HD Performance
The Canon EOS C300/C300 PL's newly developed Super 35 mm-equivalent CMOS sensor incorporates approximately 8.29 million effective pixels and has a pixel size that is larger than that for conventional professional camcorders, enabling greater light-gathering capabilities for enhanced sensitivity and reduced noise. The sensor reads Full HD (1920 x 1080 pixels) video signals for each of the three RGB primary colors, decreasing the incidence of moiré while realizing high resolution with 1,000 horizontal TV lines.

Supported by a heightened signal read-out speed, the CMOS sensor reduces rolling shutter skews, a phenomenon prevalent with CMOS sensors in which fast-moving subjects may appear diagonally distorted. Additionally, the powerful combination of the sensor with Canon's high-performance DIGIC DV III image processor facilitates high-precision gamma processing and smooth gradation expression.

In addition to MPEG-2 Full HD (MPEG2 422@HL compliant) compression, the EOS C300/C300 PL employs 4:2:2 color sampling for high-resolution performance that minimizes the appearance of "jaggies" at chroma edges. Additionally, with a maximum recording rate of 50 Mbps, the camera supports the recording of high-quality video.

The camera's video and audio recording file format adopts the industry-standard MXF (Material eXchange Format), an open source file format ideally suited for non-linear editing systems. Recording to versatile, readily available CF cards, the EOS C300/C300 PL realizes high cost-performance and, equipped with two CF card slots, makes possible the simultaneous recording of video data to two CF cards.

Ready for Action
With a compact body design measuring 5.2 (w) x 7.0 (h) x 6.7 (d) inches, the Canon EOS C300/C300 PL delivers exceptional maneuverability, enabling shooting from vantage points all but inaccessible to large cinema cameras, such as close to the ground for high-impact low-angle shots, and alongside walls. In accordance with on-location shooting needs, the camera can be outfitted with a handle, grip, thumb rest and monitor unit, and offers an array of industry-standard terminals, including HD/SD-SDI video output for the external recording of high-quality video content. When using a WFT-E6B wireless file transmitter for EOS digital SLR cameras (sold separately), the EOS C300/C300 PL can be controlled remotely by means of such common devices as smartphones or tablet PCs.

The camera is equipped with four start/stop buttons positioned at various locations to satisfy any preferred camera-holding style, and can be outfitted with a variety of third-party accessories, including matte boxes, follow focuses and external video and audio recorders. The unit also achieves seamless integration with third-party editing systems and provides added peace of mind through its dust-proof, drip-proof construction and built-in cooling system.

The new camera allows users to adjust image quality to match that of professional camcorders and EOS-series digital SLR cameras, and offers Canon Log Gamma, enabling flat image quality with subdued contrast and sharpness for maximum freedom in post-production editing and processing. In addition to frame rates of 59.41i, 50.00i, 29.97P, 25.00P and 23.98P, the EOS C300/C300 PL features a 24.00p mode, matching the 24 frame-per-second frame rate of film cameras for high compatibility with common film-production workflows.

Other features include fast-motion shooting, achieved by capturing fewer frames per second to create action up to 60x normal speed, and slow-motion down to 1/2.5xii made possible by capturing more frames per second. Frame rates between 1 and 60 frames per second (fps)iii can be adjusted in increments of 1 fps. Additionally, a selection of Custom Pictures lets users freely adjust image quality for greater control over how content looks.

Pricing and availability
The Canon EOS C300 (EF mount) digital cinema camera is scheduled to be available in late January 2012 for an estimated list price of $20,000. The Canon EOS C300 PL (PL mount) digital cinema camera is scheduled to be available in late March 2012 for an estimated list price of $20,000.

For more information and to view online demonstration footage of the new products please visit: www.canoncinemaeos.com

About Canon Inc.
Canon Inc. (NYSE: CAJ), headquartered in Tokyo, Japan, is a leader in the fields of professional and consumer imaging equipment and information systems. Canon's extensive range of products includes copying machines, inkjet and laser printers, cameras, video equipment, medical equipment and semiconductor-manufacturing equipment. Originally established in 1937 as Precision Optical Industry, Co., Ltd., a camera manufacturer, Canon has successfully diversified and globalized to become a worldwide industry leader in professional and consumer imaging systems and solutions. With over 195,000 employees worldwide, Canon has manufacturing and marketing subsidiaries in Japan, the Americas, Europe, Asia and Oceania; and a global R&D network with companies based in the United States, Europe, Asia and Australia. Canon's consolidated net sales for fiscal 2010 (ended December 31, 2010) totalled $45.8 billion (at an exchange rate of ¥81 = US$1). Visit the Canon Inc. website at: www.canon.com

About Canon U.S.A., Inc.

Canon U.S.A., Inc., is a leading provider of consumer, business-to-business, and industrial digital imaging solutions. With more than $45 billion in global revenue, its parent company, Canon Inc. (NYSE:CAJ), ranks fourth overall in patent holdings in the U.S. in 2010†, and is one of Fortune Magazine's World's Most Admired Companies in 2011. Canon U.S.A. is committed to the highest levels of customer satisfaction and loyalty, providing 100 percent U.S.-based consumer service and support for all of the products it distributes. Canon U.S.A. is dedicated to its Kyosei philosophy of social and environmental responsibility. To keep apprised of the latest news from Canon U.S.A., sign up for the Company's RSS news feed by visiting www.usa.canon.com/rss.

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* This device has not been authorized as required by the rules of the Federal Communications Commission. This device is not, and may not be offered for sale or lease, or sold or leased, until authorization is obtained.

† Based on weekly patent counts issued by United States Patent and Trademark Office.

Specifications, price and availability are subject to change without notice. Actual prices are set by authorized dealers and may vary.

All referenced product names, and other marks, are trademarks of their respective owners.

i Compatible features differ depending on the EF Cinema Lens used.

ii 1/2.5x possible only when recording in 720p mode.

iii When 59.41i frame rate is selected.

New Lens Series Debuts with Seven Models and more in the wings

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TOKYO, November 4, 2011/HOLLYWOOD, California, November 3, 2011—Canon Inc. and Canon U.S.A., Inc. today announced the introduction of seven new 4K EF Cinema Lenses, an all-new series of video cinematography lenses that, in addition to the company's current lineup of interchangeable EF lenses for EOS single-lens reflex (SLR) cameras, form the core of Canon's new Cinema EOS System. The launch of the Cinema EOS System marks Canon's full-fledged entry into the digital high-resolution production industry. The new professional digital cinematography system spans the lens, digital video camcorder and digital SLR camera product categories.

Canon's new EF Cinema Lens lineup includes four top-end zoom lenses covering a zoom range from 14.5 mm to 300 mm—two models each for EF and PL lens mounts—and three single-focal-length lenses for EF mounts. All seven new lenses are capable of delivering exceptional 4K optical performance and offer compatibility with the Super 35 mm-equivalent image format. The three single-focal-length EF lenses can be used with cameras equipped with 35 mm full-frame sensors.

The seven new lenses represent the starting cast of Canon's new EF Cinema Lens series, a star-studded lineup that will continue to grow in the future with the introduction of new A-list zoom and fixed-focal-length lenses.

Wide-Angle and Telephoto Cinema Zoom Lenses for EF and PL Mounts

·        CN-E14.5-60mm T2.6 L S / CN-E14.5-60mm T2.6 L SP

·        CN-E30-300mm T2.95-3.7 L S / CN-E30-300mm T2.95-3.7 L SP

The four new Canon zoom cinema lenses comprise the CN-E14.5-60mm T2.6 L S (for EF mounts) and CN-E14.5-60mm T2.6 L SP (for PL mounts) wide-angle cinema zoom lenses, and the CN-E30-300mm T2.95-3.7 L S (for EF mounts) and CN-E30-300mm T2.95-3.7 L SP (for PL mounts) telephoto cinema zoom lenses. Each lens supports 4K (4096 x 2160 pixels) resolution, which delivers a pixel count four times that of Full HD (1920 x 1080 pixels), and offers compatibility with industry-standard Super 35 mm-equivalent cameras as well as APS-C cameras.*1

Employing anomalous dispersion glass, effective in eliminating chromatic aberration, and large-diameter aspherical lenses, the zoom lenses achieve high-resolution imaging from the center of the frame to the outer edges. Each lens is equipped with a newly designed 11-blade aperture diaphragm for soft, attractive blur characteristics, making them ideally suited for cinematographic applications.

The focal length range of 14.5-300 mm covered by the new zoom lenses represents the most frequently used focal lengths in theatrical motion picture production, a range that often requires a combination of three or more separate zoom lenses. Canon's new wide-angle and telephoto cinema zoom lenses, however, offer a wider angle and powerful zooming to provide complete coverage across this range with just two lenses. The new wide-angle cinema zoom lenses will offer the industry's widest angle of view among 35 mm digital cinema lenses with a wide-angle-end focal length of 14.5 mm.*2

Zoom, focus and iris markings are all engraved on angled surfaces for improved readability from behind the camera. With a focus rotation angle of approximately 300 degrees and a zoom rotation angle of approximately 160 degrees, the lenses facilitate precise focusing performance while making possible smooth and subtle zoom operation.

The new top-end cinema zoom lens lineup can be used with standard manual and electronic movie industry accessories, as well as matte boxes. Featuring a unified front lens diameter and uniform gear positions, the lenses do away with the need to adjust or reposition accessory gear when switching between other lenses in the series.

Pricing and availability
Both the Canon CN-E14.5-60mm T2.6 L S (EF mount) lens and the Canon CN-E14.5-60mm T2.6 L SP (PL mount) lens are scheduled for late January 2012 availability. The Canon CN-E30-300mm T2.95-3.7 L S (EF mount) and Canon CN-E30-300mm T2.95-3.7 L SP (PL mount) lenses are scheduled for late March 2012 availability. Please contact an authorized dealer for detailed pricing information in your region.

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Single-Focal-Length Cinema Lenses for EF Mounts

·        CN-E24mm T1.5 L F / CN-E50mm T1.3 L F / CN-E85mm T1.3 L F

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